Gothika - Sparky (Live at the Barbican)
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 23/100
- Pop
- 0/100
- Length
- 5:13
- Released
- 2017
- Album
- Refracted (Live)
- Genre
- Progressive House
- Loudness
- -15.1 dB
- Dynamics
- 13.7 dB
- ISRC
- GB5EM1701741
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gothikaoriginal6A · 125
Against the original (6A at 125 BPM), this version holds the same tempo in the same key.
Gothika - Sparky (Live at the Barbican) runs 125 BPM in G minor (6A), a club-tempo progressive house record. It reads as brooding and low-slung. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More underground than 99% of Sasha's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 97% of Sasha's catalogue
- Energy:
- calmer than 95% of Sasha's catalogue
- Groove:
- less groove-driven than 91% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Gothika - Sparky (Live at the Barbican) in?
Gothika - Sparky (Live at the Barbican) by Sasha is in G minor, or 6A on the Camelot wheel.
What BPM is Gothika - Sparky (Live at the Barbican)?
Gothika - Sparky (Live at the Barbican) runs at 125 BPM, a club-tempo track.
What mixes well with Gothika - Sparky (Live at the Barbican)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Gothika - Sparky (Live at the Barbican) good for peak time?
With energy 23 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
