Seas the Day (Main Theme)
30s preview
- Key
- 8A · A minor
- BPM
- 63
- Double-time
- 126
- Open Key
- 1m
- Energy
- 8/100
- Pop
- 0/100
- Length
- 3:42
- Released
- 2019
- Genre
- Trance
- Loudness
- -19.9 dB
- Dynamics
- 16.5 dB
- ISRC
- NLQ881800201
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 63 BPM in A minor (8A), Seas the Day (Main Theme) is a trance production. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Slower than 99% of Ferry Corsten's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Ferry Corsten's catalogue
- Reach:
- more underground than 99% of Ferry Corsten's catalogue
- Energy:
- calmer than 98% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Seas the Day (Main Theme) in?
Seas the Day (Main Theme) by Ferry Corsten is in A minor, or 8A on the Camelot wheel.
What BPM is Seas the Day (Main Theme)?
Seas the Day (Main Theme) runs at 63 BPM.
What mixes well with Seas the Day (Main Theme)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Seas the Day (Main Theme) good for peak time?
With energy 8 out of 100 at 63 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 63 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 59-67 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 63 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 63 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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