Angel - Dark Soul Project Intro Remix
- Key
- 7A · D minor
- BPM
- 65
- Double-time
- 130
- Open Key
- 12m
- Energy
- 9/100
- Pop
- 0/100
- Length
- 3:13
- Released
- 2010
- Album
- Angel
- Genre
- Trance
- Loudness
- -19.6 dB
- ISRC
- GBCDK1001044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angel - Deep In Calm Remixremix3B · 130
- Angel - Dark Soul Project Remixremix9B · 130
- Angel - Frede Goto Remixremix11A · 130
- Angel - Michael & Levan and Stiven Rivic Remixremix4A · 132
- Angel - No Breakdown Versionoriginal4A · 132
- Angel - Original Mixoriginal4A · 132
Against the original (4A at 132 BPM), this version runs 67 BPM slower and moves the key from 4A to 7A.
Angel - Dark Soul Project Intro Remix is a trance track in D minor (7A) at 65 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Calmer than 99% of John 00 Fleming's catalogue.
- Tempo:
- slower than 99% of John 00 Fleming's catalogue
- Groove:
- less groove-driven than 99% of John 00 Fleming's catalogue
- Brightness:
- darker than 99% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Angel - Dark Soul Project Intro Remix in?
Angel - Dark Soul Project Intro Remix by John 00 Fleming is in D minor, or 7A on the Camelot wheel.
What BPM is Angel - Dark Soul Project Intro Remix?
Angel - Dark Soul Project Intro Remix runs at 65 BPM.
What mixes well with Angel - Dark Soul Project Intro Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Angel - Dark Soul Project Intro Remix good for peak time?
With energy 9 out of 100 at 65 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 65 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More trance
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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