The Poem by Paul van Dyk cover art

The Poem

Paul van Dyk

Key
8A · A minor
BPM
64
Double-time
128
Open Key
1m
Energy
7/100
Pop
28/100
Length
1:04
Released
2025
Genre
Trance
Loudness
-20.2 dB
ISRC
DEQ692400203

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Poem: trance, A minor (8A), 64 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Paul van Dyk's catalogue. For programming, treat it as a warm-up or breakdown cut.

Tempo:
slower than 99% of Paul van Dyk's catalogue
Groove:
less groove-driven than 96% of Paul van Dyk's catalogue
Reach:
better known than 91% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy7
Mood14Dark
Groove36
Acoustic37
Instrumental78
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Poem in?

The Poem by Paul van Dyk is in A minor, or 8A on the Camelot wheel.

What BPM is The Poem?

The Poem runs at 64 BPM.

What mixes well with The Poem?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is The Poem good for peak time?

With energy 7 out of 100 at 64 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 64 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 60-68 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 64 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 64 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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