Angel - Deep In Calm Remix
- BPM
- 130
- Open Key
- 8d
- Energy
- 84/100
- Pop
- 2/100
- Length
- 7:53
- Released
- 2010
- Album
- Angel
- Genre
- Trance
- Loudness
- -11.0 dB
- ISRC
- GBCDK1001042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Angel - Dark Soul Project Intro Remixremix7A · 65
- Angel - Dark Soul Project Remixremix9B · 130
- Angel - Frede Goto Remixremix11A · 130
- Angel - Michael & Levan and Stiven Rivic Remixremix4A · 132
- Angel - No Breakdown Versionoriginal4A · 132
- Angel - Original Mixoriginal4A · 132
Against the original (4A at 132 BPM), this version runs 2 BPM slower and moves the key from 4A to 3B.
A peak-time tempo trance cut, Angel - Deep In Calm Remix sits in D♭ major (3B) at 130 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Better known than 79% of John 00 Fleming's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Angel - Deep In Calm Remix in?
Angel - Deep In Calm Remix by John 00 Fleming is in D♭ major, or 3B on the Camelot wheel.
What BPM is Angel - Deep In Calm Remix?
Angel - Deep In Calm Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Angel - Deep In Calm Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Angel - Deep In Calm Remix good for peak time?
With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Golden Gate [San Francisco] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022801aca3651133dfe847ba7c){kind=small}
How to mix it
In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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