Love Is Not Enough (Maor Levi & Bluestone Remix)
- BPM
- 130
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2011
- Album
- Love Is Not Enough
- Genre
- Progressive Trance
- Loudness
- -6.5 dB
- ISRC
- USA371690054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Is Not Enough - Hybrid Minds Remixremix3A · 174
- Love Is Not Enoughoriginal3B · 130
- Love Is Not Enough - Fatum Remixremix3A · 128
- Love Is Not Enough - Above & Beyond Club Mixversion3A · 130
- Love Is Not Enough - Fatum Extended Mixversion3B · 128
- Love Is Not Enough - Kaskade Remixremix3A · 128
Against the original (3B at 130 BPM), this version holds the same tempo and moves the key from 3B to 3A.
Love Is Not Enough (Maor Levi & Bluestone Remix): peak-time tempo progressive trance, B♭ minor (3A), 130 BPM. The feel is dark and driving. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue.
- Groove:
- groovier than 93% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Is Not Enough (Maor Levi & Bluestone Remix) in?
Love Is Not Enough (Maor Levi & Bluestone Remix) by Above & Beyond is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Love Is Not Enough (Maor Levi & Bluestone Remix)?
Love Is Not Enough (Maor Levi & Bluestone Remix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Love Is Not Enough (Maor Levi & Bluestone Remix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Love Is Not Enough (Maor Levi & Bluestone Remix) good for peak time?
With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Lie Down In Darkness [Mix Cut] - Paul van Dyk Original Mix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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