![Love Rain Down (feat. Seri) [Harry Square Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp)
Love Rain Down (feat. Seri) [Harry Square Remix]
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2014
- Album
- Scream 2 (Collected Remixes Part 1)
- Genre
- Trance
- Loudness
- -7.4 dB
- ISRC
- USA2P1412278
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Rain Downoriginal8B · 128
- Love Rain Down - 4 Strings Remixremix8A · 132
- Love Rain Down (Radio Edit) (feat. Seri)version8B · 128
Against the original (8B at 128 BPM), this version runs 2 BPM faster and moves the key from 8B to 8A.
Love Rain Down (feat. Seri) [Harry Square Remix] is a peak-time tempo trance track in A minor (8A) at 130 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Rain Down (feat. Seri) [Harry Square Remix] in?
Love Rain Down (feat. Seri) [Harry Square Remix] by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Love Rain Down (feat. Seri) [Harry Square Remix]?
Love Rain Down (feat. Seri) [Harry Square Remix] runs at 130 BPM, a peak-time tempo track.
What mixes well with Love Rain Down (feat. Seri) [Harry Square Remix]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Love Rain Down (feat. Seri) [Harry Square Remix] good for peak time?
With energy 83 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Golden Gate [San Francisco] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e022801aca3651133dfe847ba7c){kind=small}
More trance
![Dancing in the Red Light [Amsterdam] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02b36f86e362a0287e5d5de26a){kind=small}
![Good Things Fall Apart (with Jon Bellion) [Tiësto's Big Room Remix] by Tiësto cover art](https://i.scdn.co/image/ab67616d00001e02cece16c31b74b5aa1cc25073){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.