Great Falls (Spoken Word with Veronica Blume)
30s preview
- Key
- 8B · C major
- BPM
- 136
- Open Key
- 1d
- Energy
- 10/100
- Pop
- 31/100
- Length
- 2:42
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -24.1 dB
- Dynamics
- 20.8 dB
- ISRC
- GBEWA1902000
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Great Falls (Spoken Word with Veronica Blume) runs 136 BPM in C major (8B), a driving up-tempo progressive trance record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). Calmer than 98% of Above & Beyond's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 93% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 90% of Above & Beyond's catalogue
- Reach:
- better known than 89% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Great Falls (Spoken Word with Veronica Blume) in?
Great Falls (Spoken Word with Veronica Blume) by Above & Beyond is in C major, or 8B on the Camelot wheel.
What BPM is Great Falls (Spoken Word with Veronica Blume)?
Great Falls (Spoken Word with Veronica Blume) runs at 136 BPM, a driving up-tempo track.
What mixes well with Great Falls (Spoken Word with Veronica Blume)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Great Falls (Spoken Word with Veronica Blume) good for peak time?
With energy 10 out of 100 at 136 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 136 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More progressive trance
![Only A Few Things [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.