Fathers and Sons by Armin van Buuren cover art

Fathers and Sons

Armin van Buuren

Key
4A · F minor
BPM
136
Open Key
9m
Energy
3/100
Pop
0/100
Length
3:27
Released
2025
Album
Piano
Genre
Trance
Loudness
-22.7 dB
ISRC
NLF712505226

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo trance cut, Fathers and Sons sits in F minor (4A) at 136 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Armin van Buuren's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Armin van Buuren's catalogue
Groove:
less groove-driven than 95% of Armin van Buuren's catalogue
Brightness:
darker than 85% of Armin van Buuren's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy3
Mood8Dark
Groove32
Acoustic98
Instrumental93
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fathers and Sons in?

Fathers and Sons by Armin van Buuren is in F minor, or 4A on the Camelot wheel.

What BPM is Fathers and Sons?

Fathers and Sons runs at 136 BPM, a driving up-tempo track.

What mixes well with Fathers and Sons?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Fathers and Sons good for peak time?

With energy 3 out of 100 at 136 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 136 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

More trance

More from Armin van Buuren

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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