Cause You Know
30s preview
- BPM
- 135
- Open Key
- 9d
- Energy
- 53/100
- Pop
- 0/100
- Length
- 9:05
- Released
- 2007
- Genre
- Trance
- Loudness
- -11.0 dB
- Dynamics
- 12.0 dB
- ISRC
- NLF710702112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cause You Know [Is This The End]original4B · 135
At 135 BPM in A♭ major (4B), Cause You Know is a driving up-tempo trance production. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 96% of Markus Schulz's catalogue
- Low end:
- more bass-heavy than 95% of Markus Schulz's catalogue
- Tempo:
- faster than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Cause You Know in?
Cause You Know by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.
What BPM is Cause You Know?
Cause You Know runs at 135 BPM, a driving up-tempo track.
What mixes well with Cause You Know?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Cause You Know good for peak time?
With energy 53 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 135 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
![Sun & Moon [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Cause You Know [Is This The End] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e028324e7ab7036a8a4f1f12a52){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.