Beautiful Place - Alt. Radio Mix
- Key
- 9A · E minor
- BPM
- 135
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 3:43
- Released
- 1996
- Album
- Beautiful Place
- Genre
- Trance
- Loudness
- -16.3 dB
- ISRC
- DEW760900112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beautiful Placeoriginal11B · 135
- Beautiful Place - DVD Main Studio Versionoriginal11B · 135
- Beautiful Place - Airwaves Mixoriginal8A · 135
- Beautiful Place - Just Beautifuloriginal9A · 135
- Beautiful Place - Paradise Mixoriginal11B · 132
- Beautiful Place - Salt Tank Remixremix11B · 136
Against the original (11B at 135 BPM), this version holds the same tempo and moves the key from 11B to 9A.
At 135 BPM in E minor (9A), Beautiful Place - Alt. Radio Mix is a driving up-tempo trance production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 90% of Paul van Dyk's catalogue
- Energy:
- calmer than 89% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Beautiful Place - Alt. Radio Mix in?
Beautiful Place - Alt. Radio Mix by Paul van Dyk is in E minor, or 9A on the Camelot wheel.
What BPM is Beautiful Place - Alt. Radio Mix?
Beautiful Place - Alt. Radio Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with Beautiful Place - Alt. Radio Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Beautiful Place - Alt. Radio Mix good for peak time?
With energy 59 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 135 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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