Pendulum (GDJB Weekly Drive 7)
30s preview
- BPM
- 135
- Open Key
- 4m
- Energy
- 61/100
- Pop
- 21/100
- Length
- 4:03
- Released
- 2023
- Album
- Global DJ Broadcast Weekly Drive 7
- Genre
- Trance
- Loudness
- -10.5 dB
- Dynamics
- 12.4 dB
- ISRC
- NLD682303704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pendulumoriginal11A · 134
- Pendulum (Dream Sequence 2023)original11A · 135
- Pendulum - Extended Mixversion11B · 134
- Pendulum (Destinations 25)original11A · 135
- Pendulum (Year in Review 2023)original11B · 134
A driving up-tempo trance cut, Pendulum (GDJB Weekly Drive 7) sits in F♯ minor (11A) at 135 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 97% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 95% of Markus Schulz's catalogue
- Energy:
- calmer than 90% of Markus Schulz's catalogue
- Tempo:
- faster than 87% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Pendulum (GDJB Weekly Drive 7) in?
Pendulum (GDJB Weekly Drive 7) by Markus Schulz is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Pendulum (GDJB Weekly Drive 7)?
Pendulum (GDJB Weekly Drive 7) runs at 135 BPM, a driving up-tempo track.
What mixes well with Pendulum (GDJB Weekly Drive 7)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Pendulum (GDJB Weekly Drive 7) good for peak time?
With energy 61 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 135 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
![Cause You Know [Is This The End] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e028324e7ab7036a8a4f1f12a52){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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