Hooked on Infinity
30s preview
- BPM
- 134
- Open Key
- 8d
- Energy
- 51/100
- Pop
- 1/100
- Length
- 4:26
- Released
- 2006
- Genre
- Trance
- Loudness
- -13.1 dB
- Dynamics
- 12.7 dB
- ISRC
- DEL670600062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 134 BPM in D♭ major (3B), Hooked on Infinity is a peak-time tempo trance production. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. More bass-heavy than 99% of Kyau & Albert's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 95% of Kyau & Albert's catalogue
- Brightness:
- darker than 92% of Kyau & Albert's catalogue
- Groove:
- less groove-driven than 86% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Hooked on Infinity in?
Hooked on Infinity by Kyau & Albert is in D♭ major, or 3B on the Camelot wheel.
What BPM is Hooked on Infinity?
Hooked on Infinity runs at 134 BPM, a peak-time tempo track.
What mixes well with Hooked on Infinity?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Hooked on Infinity good for peak time?
With energy 51 out of 100 at 134 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Cause You Know [Is This The End] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e028324e7ab7036a8a4f1f12a52){kind=small}
How to mix it
In 3B at 134 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Sun & Moon [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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