Not Too Late - Original Mix by Sunny Lax cover art

Not Too Late - Original Mix

Sunny Lax

Key
7B · F major
BPM
134
Open Key
12d
Energy
63/100
Pop
1/100
Length
7:13
Released
2013
Album
Late E.P
Genre
Progressive Trance
Loudness
-9.8 dB
ISRC
GBKQU1368692

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Not Too Late - Original Mix runs 134 BPM in F major (7B), a peak-time tempo progressive trance record. It reads as dark and driving. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Less groove-driven than 92% of Sunny Lax's catalogue. For programming, treat it as a mid-set roller.

Brightness:
darker than 92% of Sunny Lax's catalogue
Tempo:
faster than 86% of Sunny Lax's catalogue
Energy:
calmer than 82% of Sunny Lax's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood4Dark
Groove47
Acoustic0
Instrumental82
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Not Too Late - Original Mix in?

Not Too Late - Original Mix by Sunny Lax is in F major, or 7B on the Camelot wheel.

What BPM is Not Too Late - Original Mix?

Not Too Late - Original Mix runs at 134 BPM, a peak-time tempo track.

What mixes well with Not Too Late - Original Mix?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Not Too Late - Original Mix good for peak time?

With energy 63 out of 100 at 134 BPM, it works best as a mid-set roller.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 134 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

More progressive trance

More from Sunny Lax

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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