Never Leave - Sunny Lax Remix
30s preview
- Key
- 5A · C minor
- BPM
- 126
- Open Key
- 10m
- Energy
- 95/100
- Pop
- 23/100
- Length
- 3:50
- Released
- 2024
- Album
- Never Leave (Sunny Lax Remix)
- Genre
- Progressive Trance
- Loudness
- -4.3 dB
- Dynamics
- 8.2 dB
- ISRC
- NL7QW2400074
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive trance cut, Never Leave - Sunny Lax Remix sits in C minor (5A) at 126 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 99% of Sunny Lax's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 96% of Sunny Lax's catalogue
- Energy:
- hotter than 94% of Sunny Lax's catalogue
- Low end:
- more bass-heavy than 92% of Sunny Lax's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Never Leave - Sunny Lax Remix in?
Never Leave - Sunny Lax Remix by Sunny Lax is in C minor, or 5A on the Camelot wheel.
What BPM is Never Leave - Sunny Lax Remix?
Never Leave - Sunny Lax Remix runs at 126 BPM, a club-tempo track.
What mixes well with Never Leave - Sunny Lax Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Never Leave - Sunny Lax Remix good for peak time?
With energy 95 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive trance
More from Sunny Lax
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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