ADA - First Day Remix
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 3:26
- Released
- 2016
- Album
- ADA (The Remixes)
- Genre
- Progressive House
- Loudness
- -3.6 dB
- Dynamics
- 14.8 dB
- ISRC
- NLS241601763
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- ADA (Bolier remix)remix4A · 123
- Adaoriginal5A · 126
- Ada - Bolier Extended Remixremix4A · 123
- Ada - Corey James Remixremix3B · 123
- Ada - Extended Mixversion4B · 126
- ADA - Corey James Extended Remixremix3B · 123
Against the original (5A at 126 BPM), this version holds the same tempo and moves the key from 5A to 4A.
At 126 BPM in F minor (4A), ADA - First Day Remix is a club-tempo progressive house production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 91% of Marcus Schössow's catalogue
- Energy:
- hotter than 85% of Marcus Schössow's catalogue
- Low end:
- more treble-tilted than 81% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is ADA - First Day Remix in?
ADA - First Day Remix by Marcus Schössow is in F minor, or 4A on the Camelot wheel.
What BPM is ADA - First Day Remix?
ADA - First Day Remix runs at 126 BPM, a club-tempo track.
What mixes well with ADA - First Day Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is ADA - First Day Remix good for peak time?
With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
