Shiny Things - Sunny Lax Remix
30s preview
- BPM
- 130
- Open Key
- 7d
- Energy
- 100/100
- Pop
- 17/100
- Length
- 3:21
- Released
- 2025
- Album
- Shiny Things
- Genre
- Progressive Trance
- Loudness
- -4.4 dB
- Dynamics
- 13.7 dB
- ISRC
- US83Z2550390
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shiny Things - Sunny Lax Extended Remixremix12A · 130
Shiny Things - Sunny Lax Remix: peak-time tempo progressive trance, F♯ major (2B), 130 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 99% of Sunny Lax's catalogue.
- Reach:
- better known than 96% of Sunny Lax's catalogue
- Groove:
- less groove-driven than 95% of Sunny Lax's catalogue
- Low end:
- more treble-tilted than 90% of Sunny Lax's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Shiny Things - Sunny Lax Remix in?
Shiny Things - Sunny Lax Remix by Sunny Lax is in F♯ major, or 2B on the Camelot wheel.
What BPM is Shiny Things - Sunny Lax Remix?
Shiny Things - Sunny Lax Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Shiny Things - Sunny Lax Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Shiny Things - Sunny Lax Remix good for peak time?
With energy 100 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 130 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Sunny Lax
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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