Too Many Visions by Amtrac cover art

Too Many Visions

Amtrac

30s preview

Key
2B · F♯ major
BPM
143
Half-time
72
Open Key
7d
Energy
15/100
Pop
13/100
Length
3:54
Released
2020
Genre
House
Loudness
-20.0 dB
Dynamics
12.9 dB
ISRC
USRC11903695

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Too Many Visions runs 143 BPM in F♯ major (2B), a driving up-tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Amtrac's catalogue.

Groove:
less groove-driven than 99% of Amtrac's catalogue
Brightness:
darker than 98% of Amtrac's catalogue
Tempo:
faster than 97% of Amtrac's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy15
Mood4Dark
Groove27
Acoustic60
Instrumental82
Live7
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Too Many Visions in?

Too Many Visions by Amtrac is in F♯ major, or 2B on the Camelot wheel.

What BPM is Too Many Visions?

Too Many Visions runs at 143 BPM, a driving up-tempo track.

What mixes well with Too Many Visions?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Too Many Visions good for peak time?

With energy 15 out of 100 at 143 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 143 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 143 — beatmatch without a big tempo pull.

More house

More from Amtrac

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track