Show Face - Accapella
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 4d
- Energy
- 12/100
- Pop
- 0/100
- Length
- 3:26
- Released
- 2011
- Album
- Show Face
- Genre
- House
- Label
- Saved Records
- Loudness
- -17.4 dB
- Dynamics
- 21.0 dB
- ISRC
- GB3CE1100046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Show Face - Original Mixoriginal1B · 124
- Show Face - Instrumentaloriginal3B · 124
- Show Face - Bass Tooloriginal10B · 124
A driving up-tempo house cut, Show Face - Accapella sits in A major (11B) at 143 BPM. It reads as subdued and even. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 21 dB). A 2011 production that still circulates in sets. Calmer than 99% of Harvey McKay's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Harvey McKay's catalogue
- Groove:
- less groove-driven than 98% of Harvey McKay's catalogue
- Low end:
- more treble-tilted than 98% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Show Face - Accapella in?
Show Face - Accapella by Harvey McKay is in A major, or 11B on the Camelot wheel.
What BPM is Show Face - Accapella?
Show Face - Accapella runs at 143 BPM, a driving up-tempo track.
What mixes well with Show Face - Accapella?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Show Face - Accapella good for peak time?
With energy 12 out of 100 at 143 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 143 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More house
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
