Show Face - Bass Tool
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 4:58
- Released
- 2011
- Album
- Show Face
- Genre
- House
- Label
- Saved Records
- Loudness
- -14.2 dB
- Dynamics
- 8.8 dB
- ISRC
- GB3CE1100047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Show Face - Original Mixoriginal1B · 124
- Show Face - Instrumentaloriginal3B · 124
- Show Face - Accapellaoriginal11B · 143
A club-tempo house cut, Show Face - Bass Tool sits in D major (10B) at 124 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Groovier than 99% of Harvey McKay's catalogue.
- Brightness:
- darker than 99% of Harvey McKay's catalogue
- Reach:
- more underground than 99% of Harvey McKay's catalogue
- Low end:
- more bass-heavy than 97% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Show Face - Bass Tool in?
Show Face - Bass Tool by Harvey McKay is in D major, or 10B on the Camelot wheel.
What BPM is Show Face - Bass Tool?
Show Face - Bass Tool runs at 124 BPM, a club-tempo track.
What mixes well with Show Face - Bass Tool?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Show Face - Bass Tool good for peak time?
With energy 56 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
