Esturgeons
30s preview
- BPM
- 129
- Open Key
- 3d
- Energy
- 5/100
- Pop
- 12/100
- Length
- 3:53
- Released
- 2020
- Genre
- Tech House
- Loudness
- -20.8 dB
- Dynamics
- 16.1 dB
- ISRC
- FR6NC2050120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Esturgeons: peak-time tempo tech house, D major (10B), 129 BPM. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Calmer than 99% of Worakls's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 98% of Worakls's catalogue
- Brightness:
- darker than 89% of Worakls's catalogue
- Groove:
- less groove-driven than 88% of Worakls's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Esturgeons in?
Esturgeons by Worakls is in D major, or 10B on the Camelot wheel.
What BPM is Esturgeons?
Esturgeons runs at 129 BPM, a peak-time tempo track.
What mixes well with Esturgeons?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Esturgeons good for peak time?
With energy 5 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 129 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Worakls
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
