Victims of the Sky
- BPM
- 142
- Half-time
- 71
- Open Key
- 8d
- Energy
- 34/100
- Pop
- 0/100
- Length
- 3:11
- Released
- 2009
- Genre
- House
- Loudness
- -10.5 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Victims of the Sky is a driving up-tempo house track in D♭ major (3B) at 142 BPM. The feel is brooding and low-slung. It is vocal-led. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Fisher's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 92% of Fisher's catalogue
- Brightness:
- darker than 89% of Fisher's catalogue
- Energy:
- calmer than 87% of Fisher's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Victims of the Sky in?
Victims of the Sky by Fisher is in D♭ major, or 3B on the Camelot wheel.
What BPM is Victims of the Sky?
Victims of the Sky runs at 142 BPM, a driving up-tempo track.
What mixes well with Victims of the Sky?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Victims of the Sky good for peak time?
With energy 34 out of 100 at 142 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 142 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More house
More from Fisher
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
