Requiem for an Angel (Mix Cut)
- Key
- 8B · C major
- BPM
- 71
- Double-time
- 142
- Open Key
- 1d
- Energy
- 6/100
- Pop
- 0/100
- Length
- 1:42
- Released
- 2018
- Album
- Subculture
- Genre
- Trance
- Loudness
- -20.6 dB
- ISRC
- NLD681800699
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A trance cut, Requiem for an Angel (Mix Cut) sits in C major (8B) at 71 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Calmer than 99% of John O'Callaghan's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of John O'Callaghan's catalogue
- Groove:
- less groove-driven than 99% of John O'Callaghan's catalogue
- Reach:
- more underground than 99% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Requiem for an Angel (Mix Cut) in?
Requiem for an Angel (Mix Cut) by John O'Callaghan is in C major, or 8B on the Camelot wheel.
What BPM is Requiem for an Angel (Mix Cut)?
Requiem for an Angel (Mix Cut) runs at 71 BPM.
What mixes well with Requiem for an Angel (Mix Cut)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Requiem for an Angel (Mix Cut) good for peak time?
With energy 6 out of 100 at 71 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 71 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 67-75 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 71 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 71 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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