
My Heart Goes Out
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 9d
- Energy
- 60/100
- Pop
- 2/100
- Length
- 3:43
- Released
- 2015
- Album
- Awakening
- Genre
- Progressive House
- Loudness
- -9.5 dB
- Dynamics
- 14.4 dB
- ISRC
- AUEYE1500024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in A♭ major (4B), My Heart Goes Out is a driving up-tempo progressive house production. Tonally it lands dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Faster than 98% of Jaytech's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 92% of Jaytech's catalogue
- Groove:
- less groove-driven than 91% of Jaytech's catalogue
- Low end:
- more treble-tilted than 81% of Jaytech's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is My Heart Goes Out in?
My Heart Goes Out by Jaytech is in A♭ major, or 4B on the Camelot wheel.
What BPM is My Heart Goes Out?
My Heart Goes Out runs at 140 BPM, a driving up-tempo track.
What mixes well with My Heart Goes Out?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is My Heart Goes Out good for peak time?
With energy 60 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 140 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive house
More from Jaytech
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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