Sun & Moon (feat. Richard Bedford) - Distance Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 4:28
- Released
- 2011
- Album
- Sun & Moon (Part 1) (feat. Richard Bedford)
- Genre
- Progressive Trance
- Loudness
- -8.7 dB
- ISRC
- GBEWA1100052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sun & Moon - Blastoyz Remixremix11A · 138
- Sun & Moon - ilan Bluestone Remixremix11A · 130
- Sun & Moon - Live At The Hollywood Bowloriginal11A · 137
- Sun & Moon - Blastoyz Extended Mixversion11A · 138
- Sun & Moon - ilan Bluestone Extended Mixversion11A · 130
- Sun & Moon - Manila Killa Remixremix11A · 124
Sun & Moon (feat. Richard Bedford) - Distance Remix is a driving up-tempo progressive trance track in F♯ minor (11A) at 140 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 95% of Above & Beyond's catalogue
- Tempo:
- faster than 94% of Above & Beyond's catalogue
- Groove:
- groovier than 91% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sun & Moon (feat. Richard Bedford) - Distance Remix in?
Sun & Moon (feat. Richard Bedford) - Distance Remix by Above & Beyond is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sun & Moon (feat. Richard Bedford) - Distance Remix?
Sun & Moon (feat. Richard Bedford) - Distance Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Sun & Moon (feat. Richard Bedford) - Distance Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sun & Moon (feat. Richard Bedford) - Distance Remix good for peak time?
With energy 60 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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