Stars Collide (Steve Brian extended remix)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 2:51
- Released
- 2020
- Genre
- Trance
- Loudness
- -8.5 dB
- Dynamics
- 10.3 dB
- ISRC
- NLF712007566
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stars Collide (Steve Brian extended remix) runs 140 BPM in E major (12B), a driving up-tempo trance record. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. More underground than 99% of Andrew Rayel's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 92% of Andrew Rayel's catalogue
- Energy:
- calmer than 91% of Andrew Rayel's catalogue
- Tempo:
- faster than 91% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stars Collide (Steve Brian extended remix) in?
Stars Collide (Steve Brian extended remix) by Andrew Rayel is in E major, or 12B on the Camelot wheel.
What BPM is Stars Collide (Steve Brian extended remix)?
Stars Collide (Steve Brian extended remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Stars Collide (Steve Brian extended remix)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Stars Collide (Steve Brian extended remix) good for peak time?
With energy 69 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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