Rhea (Suncatcher remix edit)
30s preview
- Key
- 7B · F major
- BPM
- 140
- Half-time
- 70
- Open Key
- 12d
- Energy
- 78/100
- Pop
- 23/100
- Length
- 3:40
- Released
- 2012
- Genre
- Trance
- Loudness
- -9.1 dB
- Dynamics
- 19.4 dB
- ISRC
- NLF711001682
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rhea (Suncatcher remix edit) runs 140 BPM in F major (7B), a driving up-tempo trance record. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). A 2012 production that still circulates in sets. Darker than 93% of John O'Callaghan's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 92% of John O'Callaghan's catalogue
- Energy:
- calmer than 91% of John O'Callaghan's catalogue
- Low end:
- more treble-tilted than 90% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Rhea (Suncatcher remix edit) in?
Rhea (Suncatcher remix edit) by John O'Callaghan is in F major, or 7B on the Camelot wheel.
What BPM is Rhea (Suncatcher remix edit)?
Rhea (Suncatcher remix edit) runs at 140 BPM, a driving up-tempo track.
What mixes well with Rhea (Suncatcher remix edit)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Rhea (Suncatcher remix edit) good for peak time?
With energy 78 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 140 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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