Gold Dust
- BPM
- 140
- Half-time
- 70
- Open Key
- 5m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 4:20
- Released
- 2020
- Album
- Escape
- Genre
- Trance
- Loudness
- -6.9 dB
- ISRC
- NLE712000707
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in D♭ minor (12A), Gold Dust is a driving up-tempo trance production. It reads as dark and driving. It is vocal-led. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 98% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Gold Dust in?
Gold Dust by Markus Schulz is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Gold Dust?
Gold Dust runs at 140 BPM, a driving up-tempo track.
What mixes well with Gold Dust?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Gold Dust good for peak time?
With energy 75 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 140 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.