It's Time - Agnelli & Nelson Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 9:08
- Released
- 2005
- Album
- It's Time
- Genre
- Trance
- Loudness
- -8.7 dB
- Dynamics
- 10.5 dB
- ISRC
- NLB770400032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's Time - Extended Vocal Mixversion11A · 131
- It's Time - Ferry's Dub Mixversion11A · 131
- It's Time - Original Extendedversion11A · 131
- It's Time - Radio Editversion11A · 131
- It's Timeoriginal11A · 131
- It's Time - Extended Album Dubversion11A · 131
Against the original (11A at 131 BPM), this version runs 9 BPM faster in the same key.
At 140 BPM in F♯ minor (11A), It's Time - Agnelli & Nelson Remix is a driving up-tempo trance production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2005 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue.
- Tempo:
- faster than 92% of Ferry Corsten's catalogue
- Low end:
- more bass-heavy than 86% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is It's Time - Agnelli & Nelson Remix in?
It's Time - Agnelli & Nelson Remix by Ferry Corsten is in F♯ minor, or 11A on the Camelot wheel.
What BPM is It's Time - Agnelli & Nelson Remix?
It's Time - Agnelli & Nelson Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with It's Time - Agnelli & Nelson Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is It's Time - Agnelli & Nelson Remix good for peak time?
With energy 87 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
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How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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