For An Angel '98 - Way Out West Remix
- BPM
- 140
- Half-time
- 70
- Open Key
- 4d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 1998
- Album
- Words/For An Angel '98
- Genre
- Trance
- Loudness
- -11.2 dB
- ISRC
- DEW760600040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- For An Angel '98 - PVD's E-Werk Club Mixversion8A · 138
For An Angel '98 - Way Out West Remix runs 140 BPM in A major (11B), a driving up-tempo trance record. Tonally it lands bright and euphoric. The master keeps real dynamic headroom. A 1998 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Paul van Dyk's catalogue
- Tempo:
- faster than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is For An Angel '98 - Way Out West Remix in?
For An Angel '98 - Way Out West Remix by Paul van Dyk is in A major, or 11B on the Camelot wheel.
What BPM is For An Angel '98 - Way Out West Remix?
For An Angel '98 - Way Out West Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with For An Angel '98 - Way Out West Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is For An Angel '98 - Way Out West Remix good for peak time?
With energy 91 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 140 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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