Dark Side of the Harmony (FYH 200 Anthem)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3d
- Energy
- 94/100
- Pop
- 11/100
- Length
- 3:41
- Released
- 2020
- Genre
- Trance
- Loudness
- -3.4 dB
- Dynamics
- 11.3 dB
- ISRC
- NLF712000846
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dark Side of the Harmony (FYH 200 Anthem): driving up-tempo trance, D major (10B), 140 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 91% of Andrew Rayel's catalogue.
- Groove:
- groovier than 80% of Andrew Rayel's catalogue
- Brightness:
- darker than 80% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Dark Side of the Harmony (FYH 200 Anthem) in?
Dark Side of the Harmony (FYH 200 Anthem) by Andrew Rayel is in D major, or 10B on the Camelot wheel.
What BPM is Dark Side of the Harmony (FYH 200 Anthem)?
Dark Side of the Harmony (FYH 200 Anthem) runs at 140 BPM, a driving up-tempo track.
What mixes well with Dark Side of the Harmony (FYH 200 Anthem)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Dark Side of the Harmony (FYH 200 Anthem) good for peak time?
With energy 94 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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