You Got To Go - Seven Lions Remix
30s preview
- Key
- 5A · C minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 10m
- Energy
- 75/100
- Pop
- 10/100
- Length
- 5:03
- Released
- 2011
- Album
- Love Is Not Enough (D&B/Dubstep Remixes)
- Genre
- Progressive Trance
- Loudness
- -6.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBEWA1101240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got To Gooriginal5A · 132
- You Got To Go - Fehrplay Extended Mixversion5A · 124
- You Got To Go - Fehrplay Remixremix5A · 124
- You Got To Go - Kyau & Albert Remixremix5A · 132
- You Got to Go - Above & Beyond vs. Kyau & Albert Radio Editversion5A · 132
- You Got To Go - Kyau & Albert Remix Editremix5A · 132
Against the original (5A at 132 BPM), this version runs 8 BPM faster in the same key.
A driving up-tempo progressive trance cut, You Got To Go - Seven Lions Remix sits in C minor (5A) at 140 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Faster than 94% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is You Got To Go - Seven Lions Remix in?
You Got To Go - Seven Lions Remix by Above & Beyond is in C minor, or 5A on the Camelot wheel.
What BPM is You Got To Go - Seven Lions Remix?
You Got To Go - Seven Lions Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with You Got To Go - Seven Lions Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is You Got To Go - Seven Lions Remix good for peak time?
With energy 75 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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