Glory (Rraw! Extended Mix)
30s preview
- Key
- 4A · F minor
- BPM
- 138
- Open Key
- 9m
- Energy
- 75/100
- Pop
- 2/100
- Length
- 6:23
- Released
- 2024
- Album
- Life Is A Journey
- Genre
- Trance
- Loudness
- -8.2 dB
- Dynamics
- 12.0 dB
- ISRC
- DEA312300806
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Glory (Rraw! Mix)original4A · 138
Against the original (4A at 138 BPM), this version holds the same tempo in the same key.
Glory (Rraw! Extended Mix) runs 138 BPM in F minor (4A), a driving up-tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Darker than 82% of Talla 2XLC's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 81% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Glory (Rraw! Extended Mix) in?
Glory (Rraw! Extended Mix) by Talla 2XLC is in F minor, or 4A on the Camelot wheel.
What BPM is Glory (Rraw! Extended Mix)?
Glory (Rraw! Extended Mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Glory (Rraw! Extended Mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Glory (Rraw! Extended Mix) good for peak time?
With energy 75 out of 100 at 138 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 138 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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