Twisted - Original Mix
- BPM
- 138
- Open Key
- 8m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 7:29
- Released
- 2004
- Album
- Atmosphere (Part 1 - Dark)
- Genre
- Trance
- Loudness
- -16.1 dB
- ISRC
- GBCDK0462022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in B♭ minor (3A), Twisted - Original Mix is a driving up-tempo trance production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 79% of John 00 Fleming's catalogue
- Tempo:
- faster than 79% of John 00 Fleming's catalogue
- Groove:
- less groove-driven than 75% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Twisted - Original Mix in?
Twisted - Original Mix by John 00 Fleming is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Twisted - Original Mix?
Twisted - Original Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Twisted - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Twisted - Original Mix good for peak time?
With energy 74 out of 100 at 138 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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![Computers Take Over The World (ASOT 1086) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/333827b4e67b5da04c74.webp){kind=small}
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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