Permutations (Mix Cut) - Intro Mix by John O'Callaghan cover art

Permutations (Mix Cut) - Intro Mix

John O'Callaghan

Key
2A · E♭ minor
BPM
138
Open Key
7m
Energy
78/100
Pop
0/100
Length
2:19
Released
2018
Album
Subculture
Genre
Trance
Loudness
-14.3 dB
ISRC
NLD681800685

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in E♭ minor (2A), Permutations (Mix Cut) - Intro Mix is a driving up-tempo trance production. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue.

Brightness:
brighter than 92% of John O'Callaghan's catalogue
Energy:
calmer than 91% of John O'Callaghan's catalogue
Groove:
less groove-driven than 88% of John O'Callaghan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood58Balanced
Groove43
Acoustic60
Instrumental60
Live83
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Permutations (Mix Cut) - Intro Mix in?

Permutations (Mix Cut) - Intro Mix by John O'Callaghan is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Permutations (Mix Cut) - Intro Mix?

Permutations (Mix Cut) - Intro Mix runs at 138 BPM, a driving up-tempo track.

What mixes well with Permutations (Mix Cut) - Intro Mix?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Permutations (Mix Cut) - Intro Mix good for peak time?

With energy 78 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 138 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

#TrackKey·BPM

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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