Sleepless Nights
30s preview
- BPM
- 138
- Open Key
- 8m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 3:00
- Released
- 2025
- Album
- ASOT 1237 - A State of Trance Episode 1237 [Including Live at Tomorrowland 2025 (Freedom Stage) [Highlights]]
- Genre
- Trance
- Loudness
- -5.2 dB
- Dynamics
- 10.9 dB
- ISRC
- NLF712504933
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sleepless Nightsoriginal3A · 138
- Sleepless Nights (feat. Libby Whitehouse) - Extended Mixversion3A · 138
At 138 BPM in B♭ minor (3A), Sleepless Nights is a driving up-tempo trance production. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Armin van Buuren's catalogue.
- Groove:
- less groove-driven than 86% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Sleepless Nights in?
Sleepless Nights by Armin van Buuren is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sleepless Nights?
Sleepless Nights runs at 138 BPM, a driving up-tempo track.
What mixes well with Sleepless Nights?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sleepless Nights good for peak time?
With energy 91 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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