Come (And Get It)
- Key
- 6A · G minor
- BPM
- 138
- Open Key
- 11m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 1996
- Album
- Seven Ways
- Genre
- Trance
- Loudness
- -13.2 dB
- ISRC
- DEW760900157
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Come (And Get It) runs 138 BPM in G minor (6A), a driving up-tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come (And Get It) in?
Come (And Get It) by Paul van Dyk is in G minor, or 6A on the Camelot wheel.
What BPM is Come (And Get It)?
Come (And Get It) runs at 138 BPM, a driving up-tempo track.
What mixes well with Come (And Get It)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Come (And Get It) good for peak time?
With energy 79 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 138 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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