Punk - Kid Vicious Remix
30s preview
- Key
- 9A · E minor
- BPM
- 138
- Open Key
- 2m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 5:08
- Released
- 2002
- Album
- Punk
- Genre
- Trance
- Loudness
- -9.6 dB
- Dynamics
- 22.3 dB
- ISRC
- NLB770200023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Punk - Reinier Zonneveld Remixremix8A · 135
- Punk - Tom Staar Extended Remixremix9B · 126
- Punk - Tom Staar Remixremix9B · 126
- Punk - MaRLo Remixremix9B · 135
- Punk - Arty Rock-n-Rolla Radio Editversion9B · 132
- Punkoriginal9B · 135
Against the original (9B at 135 BPM), this version runs 3 BPM faster and moves the key from 9B to 9A.
At 138 BPM in E minor (9A), Punk - Kid Vicious Remix is a driving up-tempo trance production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 22 dB). A 2002 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of Ferry Corsten's catalogue
- Tempo:
- faster than 86% of Ferry Corsten's catalogue
- Groove:
- groovier than 86% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is Punk - Kid Vicious Remix in?
Punk - Kid Vicious Remix by Ferry Corsten is in E minor, or 9A on the Camelot wheel.
What BPM is Punk - Kid Vicious Remix?
Punk - Kid Vicious Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Punk - Kid Vicious Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Punk - Kid Vicious Remix good for peak time?
With energy 82 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 138 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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