You Got To Go - Fehrplay Remix
30s preview
- Key
- 5A · C minor
- BPM
- 124
- Open Key
- 10m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 4:27
- Released
- 2022
- Album
- 10 Years of Group Therapy (Part 2)
- Genre
- Progressive Trance
- Loudness
- -7.1 dB
- Dynamics
- 11.1 dB
- ISRC
- GBEWA2205720
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Got To Gooriginal5A · 132
- You Got To Go - Seven Lions Remixremix5A · 140
- You Got To Go - Fehrplay Extended Mixversion5A · 124
- You Got To Go - Kyau & Albert Remixremix5A · 132
- You Got to Go - Above & Beyond vs. Kyau & Albert Radio Editversion5A · 132
- You Got To Go - Kyau & Albert Remix Editremix5A · 132
Against the original (5A at 132 BPM), this version runs 8 BPM slower in the same key.
A club-tempo progressive trance cut, You Got To Go - Fehrplay Remix sits in C minor (5A) at 124 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 86% of Above & Beyond's catalogue
- Low end:
- more treble-tilted than 79% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is You Got To Go - Fehrplay Remix in?
You Got To Go - Fehrplay Remix by Above & Beyond is in C minor, or 5A on the Camelot wheel.
What BPM is You Got To Go - Fehrplay Remix?
You Got To Go - Fehrplay Remix runs at 124 BPM, a club-tempo track.
What mixes well with You Got To Go - Fehrplay Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is You Got To Go - Fehrplay Remix good for peak time?
With energy 86 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 124 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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