Drop from the Vile - Basil O'glue Remix
- BPM
- 124
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 3/100
- Length
- 7:51
- Released
- 2018
- Album
- Drop from the Vile
- Genre
- Trance
- Loudness
- -8.8 dB
- ISRC
- GBCDK1713053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drop from the Vile - Original Mixoriginal2B · 127
Against the original (2B at 127 BPM), this version runs 3 BPM slower and moves the key from 2B to 3B.
Drop from the Vile - Basil O'glue Remix: club-tempo trance, D♭ major (3B), 124 BPM. It reads as dark and driving. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Slower than 92% of John 00 Fleming's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 85% of John 00 Fleming's catalogue
- Reach:
- better known than 85% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Drop from the Vile - Basil O'glue Remix in?
Drop from the Vile - Basil O'glue Remix by John 00 Fleming is in D♭ major, or 3B on the Camelot wheel.
What BPM is Drop from the Vile - Basil O'glue Remix?
Drop from the Vile - Basil O'glue Remix runs at 124 BPM, a club-tempo track.
What mixes well with Drop from the Vile - Basil O'glue Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Drop from the Vile - Basil O'glue Remix good for peak time?
With energy 85 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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