See The End - Last Heroes Remix
30s preview
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 60/100
- Pop
- 16/100
- Length
- 3:42
- Released
- 2019
- Album
- See The End (Last Heroes Remix)
- Genre
- Progressive Trance
- Loudness
- -6.4 dB
- Dynamics
- 11.8 dB
- ISRC
- GBEWA1903952
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- See The Endoriginal9B · 128
- See The End - Nora En Pure Remixremix9A · 125
- See The End - Avoure Remixremix9B · 122
- See The End - Extended Mixversion9B · 128
- See The End - Avoure Extended Mixversion9A · 122
- See The End - Nora En Pure Extended Mixversion9B · 125
Against the original (9B at 128 BPM), this version runs 12 BPM faster in the same key.
See The End - Last Heroes Remix: driving up-tempo progressive trance, G major (9B), 140 BPM. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 94% of Above & Beyond's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 88% of Above & Beyond's catalogue
- Low end:
- more treble-tilted than 85% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is See The End - Last Heroes Remix in?
See The End - Last Heroes Remix by Above & Beyond is in G major, or 9B on the Camelot wheel.
What BPM is See The End - Last Heroes Remix?
See The End - Last Heroes Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with See The End - Last Heroes Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is See The End - Last Heroes Remix good for peak time?
With energy 60 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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