
See The End - Avoure Remix
30s preview
- Key
- 9B · G major
- BPM
- 122
- Open Key
- 2d
- Energy
- 72/100
- Pop
- 21/100
- Length
- 3:46
- Released
- 2019
- Album
- See The End (Avoure Remix)
- Genre
- Progressive Trance
- Loudness
- -8.8 dB
- Dynamics
- 11.2 dB
- ISRC
- GBEWA1903950
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- See The Endoriginal9B · 128
- See The End - Nora En Pure Remixremix9A · 125
- See The End - Extended Mixversion9B · 128
- See The End - Last Heroes Remixremix9B · 140
- See The End - Avoure Extended Mixversion9A · 122
- See The End - Nora En Pure Extended Mixversion9B · 125
Against the original (9B at 128 BPM), this version runs 6 BPM slower in the same key.
See The End - Avoure Remix is a club-tempo progressive trance track in G major (9B) at 122 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Darker than 97% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 90% of Above & Beyond's catalogue
- Reach:
- better known than 76% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is See The End - Avoure Remix in?
See The End - Avoure Remix by Above & Beyond is in G major, or 9B on the Camelot wheel.
What BPM is See The End - Avoure Remix?
See The End - Avoure Remix runs at 122 BPM, a club-tempo track.
What mixes well with See The End - Avoure Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is See The End - Avoure Remix good for peak time?
With energy 72 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.