Music Takes Me Higher - Extended Mix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3d
- Energy
- 97/100
- Pop
- 1/100
- Length
- 6:31
- Released
- 2025
- Album
- Music Takes Me Higher
- Genre
- Trance
- Loudness
- -4.2 dB
- Dynamics
- 12.3 dB
- ISRC
- NLD682502436
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Music Takes Me Higheroriginal7B · 140
Against the original (7B at 140 BPM), this version holds the same tempo and moves the key from 7B to 10B.
Music Takes Me Higher - Extended Mix runs 140 BPM in D major (10B), a driving up-tempo trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Music Takes Me Higher - Extended Mix in?
Music Takes Me Higher - Extended Mix by John O'Callaghan is in D major, or 10B on the Camelot wheel.
What BPM is Music Takes Me Higher - Extended Mix?
Music Takes Me Higher - Extended Mix runs at 140 BPM, a driving up-tempo track.
What mixes well with Music Takes Me Higher - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Music Takes Me Higher - Extended Mix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Can't Stand The Silence [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 10B at 140 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
More from John O'Callaghan
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
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