Shadows (Talla 2xlc Vocal Remix Original Version)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 98/100
- Pop
- 5/100
- Length
- 3:29
- Released
- 2020
- Album
- Shadows (Talla 2XLC Remix)
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 18.2 dB
- ISRC
- DEA312007343
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shadows (Talla 2xlc Remix Original Version)remix10A · 140
At 140 BPM in B minor (10A), Shadows (Talla 2xlc Vocal Remix Original Version) is a driving up-tempo trance production. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Shadows (Talla 2xlc Vocal Remix Original Version) in?
Shadows (Talla 2xlc Vocal Remix Original Version) by Talla 2XLC is in B minor, or 10A on the Camelot wheel.
What BPM is Shadows (Talla 2xlc Vocal Remix Original Version)?
Shadows (Talla 2xlc Vocal Remix Original Version) runs at 140 BPM, a driving up-tempo track.
What mixes well with Shadows (Talla 2xlc Vocal Remix Original Version)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Shadows (Talla 2xlc Vocal Remix Original Version) good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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