![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp)
Bach To The Future (ASOT 1219) [Trending Track]
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 15/100
- Length
- 2:31
- Released
- 2025
- Album
- ASOT 1219 - A State of Trance Episode 1219 (Including A State Of Trance Showcase - Mix 004: Ben Gold)
- Genre
- Trance
- Loudness
- -5.4 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF712502479
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bach to the Futureoriginal12A · 138
- Bach To The Future (ASOT 1224)original3A · 140
- Bach To The Future (ASOT 1218)original12A · 138
Bach To The Future (ASOT 1219) [Trending Track]: driving up-tempo trance, B♭ minor (3A), 140 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 91% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 86% of Armin van Buuren's catalogue
- Tempo:
- faster than 85% of Armin van Buuren's catalogue
- Reach:
- better known than 80% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Bach To The Future (ASOT 1219) [Trending Track] in?
Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Bach To The Future (ASOT 1219) [Trending Track]?
Bach To The Future (ASOT 1219) [Trending Track] runs at 140 BPM, a driving up-tempo track.
What mixes well with Bach To The Future (ASOT 1219) [Trending Track]?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Bach To The Future (ASOT 1219) [Trending Track] good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
How to mix it
In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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