Bach To The Future (ASOT 1218)
30s preview
- BPM
- 138
- Open Key
- 5m
- Energy
- 98/100
- Pop
- 29/100
- Length
- 3:21
- Released
- 2025
- Album
- ASOT 1218 - A State of Trance Episode 1218 [Including A State of Trance 2025 (Mixed by Armin van Buuren)]
- Genre
- Trance
- Loudness
- -5.7 dB
- Dynamics
- 11.1 dB
- ISRC
- NLF712502341
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bach to the Futureoriginal12A · 138
- Bach To The Future (ASOT 1224)original3A · 140
- Bach To The Future (ASOT 1219) [Trending Track]original3A · 140
Bach To The Future (ASOT 1218) runs 138 BPM in D♭ minor (12A), a driving up-tempo trance record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 96% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 90% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Bach To The Future (ASOT 1218) in?
Bach To The Future (ASOT 1218) by Armin van Buuren is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Bach To The Future (ASOT 1218)?
Bach To The Future (ASOT 1218) runs at 138 BPM, a driving up-tempo track.
What mixes well with Bach To The Future (ASOT 1218)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Bach To The Future (ASOT 1218) good for peak time?
With energy 98 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 138 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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