The Way of Harmony (FYH 400 Anthem)
30s preview
- BPM
- 138
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 16/100
- Length
- 3:51
- Released
- 2024
- Genre
- Trance
- Loudness
- -3.1 dB
- Dynamics
- 14.3 dB
- ISRC
- GBKQU2431754
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Way of Harmony (FYH 400 Anthem) runs 138 BPM in B minor (10A), a driving up-tempo trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 96% of Andrew Rayel's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 91% of Andrew Rayel's catalogue
- Tempo:
- faster than 81% of Andrew Rayel's catalogue
- Low end:
- more treble-tilted than 80% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is The Way of Harmony (FYH 400 Anthem) in?
The Way of Harmony (FYH 400 Anthem) by Andrew Rayel is in B minor, or 10A on the Camelot wheel.
What BPM is The Way of Harmony (FYH 400 Anthem)?
The Way of Harmony (FYH 400 Anthem) runs at 138 BPM, a driving up-tempo track.
What mixes well with The Way of Harmony (FYH 400 Anthem)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Way of Harmony (FYH 400 Anthem) good for peak time?
With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Red (Listener's Choice) (CC485) [Ferry Corsten Remix] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02d43475cab3f0fce1403ef890){kind=small}
How to mix it
In 10A at 138 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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