Pebble Beach by John O'Callaghan cover art

Pebble Beach

John O'Callaghan

30s preview

Key
11B · A major
BPM
138
Open Key
4d
Energy
99/100
Pop
19/100
Length
3:25
Released
2024
Genre
Trance
Loudness
-7.6 dB
Dynamics
17.5 dB
ISRC
NLD682400285

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 138 BPM in A major (11B), Pebble Beach is a driving up-tempo trance production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). Better known than 89% of John O'Callaghan's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 77% of John O'Callaghan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood15Dark
Groove50
Acoustic0
Instrumental78
Live65
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Pebble Beach in?

Pebble Beach by John O'Callaghan is in A major, or 11B on the Camelot wheel.

What BPM is Pebble Beach?

Pebble Beach runs at 138 BPM, a driving up-tempo track.

What mixes well with Pebble Beach?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Pebble Beach good for peak time?

With energy 99 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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