Riverside - Paul Denton Extended Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 21/100
- Length
- 6:16
- Released
- 2025
- Album
- Riverside (Paul Denton Remix)
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 12.0 dB
- ISRC
- NLD682501359
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Riverside - Paul Denton Remixremix1B · 140
- Riversideoriginal12A · 140
- Riverside - Ambient Mixoriginal12A · 130
Against the original (12A at 140 BPM), this version holds the same tempo and moves the key from 12A to 2B.
Riverside - Paul Denton Extended Remix: driving up-tempo trance, F♯ major (2B), 140 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 90% of John O'Callaghan's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Riverside - Paul Denton Extended Remix in?
Riverside - Paul Denton Extended Remix by John O'Callaghan is in F♯ major, or 2B on the Camelot wheel.
What BPM is Riverside - Paul Denton Extended Remix?
Riverside - Paul Denton Extended Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Riverside - Paul Denton Extended Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Riverside - Paul Denton Extended Remix good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 2B at 140 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.