The Other Shore - Fady x Mina Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 10d
- Energy
- 97/100
- Pop
- 13/100
- Length
- 3:47
- Released
- 2015
- Album
- The Other Shore (Remixes)
- Genre
- Trance
- Loudness
- -5.0 dB
- Dynamics
- 10.9 dB
- ISRC
- NLF711502240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Other Shoreoriginal5B · 138
- The Other Shore - Solarstone Pure Mixoriginal5A · 136
- The Other Shore - Husman Remixremix5A · 128
- The Other Shore - Aruna vs Steve Kaetzel Remixremix5B · 132
Against the original (5B at 138 BPM), this version runs 2 BPM faster in the same key.
The Other Shore - Fady x Mina Remix runs 140 BPM in E♭ major (5B), a driving up-tempo trance record. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Groovier than 90% of Aly & Fila's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 77% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Other Shore - Fady x Mina Remix in?
The Other Shore - Fady x Mina Remix by Aly & Fila is in E♭ major, or 5B on the Camelot wheel.
What BPM is The Other Shore - Fady x Mina Remix?
The Other Shore - Fady x Mina Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with The Other Shore - Fady x Mina Remix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is The Other Shore - Fady x Mina Remix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 140 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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